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Playing against type

In lieu of posting about how angry, in re-reading this book, I’ve become over the portrayal of Connie and Patty and other generally morally vacuous women dependent on the validation of men (though I clearly do have opinions about that), … Continue reading

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Sacred space

I just lost this once, so let’s hope I don’t close this tab again. Since we’ve been discussing authorship vs. what is authored in class lately, I thought I’d bring up a reasonably close analog for Mohammad Khan’s design – … Continue reading

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“The Void”

Since I mentioned it in class the other day, I thought I’d share this – it’s a photo I took from my hotel window when I was in New York last summer and stayed across the street from the WTC site. It wasn’t completed until a month or two later, but you can still get a sense of the design; the reflecting pools are effectively the “footprints” of the destroyed towers. It was interesting to read this book knowing what impulses the actual selection committee had followed – not quite a garden, not quite high modern art, so devoid of ethnic influence as to be totally American. (Isn’t that what America sometimes is?)

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An argument for dating your work

I’m really not going to pass up a chance to post a Big Lebowski clip if I can. Anyway, I found the lip-synched Killers scene to be odd, fascinating, a little disturbing, and, well, familiar. It took about five seconds … Continue reading

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Names

Someone has already brought up the the importance of names (specifically that of Mark/being unMarked), but I found the issue to be even wider-ranging than that. It’s fairly clear that in WTCOETIW David Foster Wallace is aligning his sympathies – … Continue reading

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Reinventing your desires

In light of today’s discussion of the commodification of want, I feel I’d be remiss not to mention this weekend’s “It’s Reinvented” ad from Toyota. Relevant Wallace passage: “They make certain wishes come true, sir, don’t they,” Sternberg says. Magda … Continue reading

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