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"Loss of the Creature" "Postmodernism as Liberty Valance" "The Work of Art in the Age of Mechanical Reproduction" "Westward the Course of Empire Takes its Way" "Why Bother?" 9/11 9/11 Memorial Advertising Aesthetics Amy Waldman Apocalypse Capitalism David Foster Wallace Don DeLillo Eschatology Freedom Gender Grand Canyon Graphic Novel Jean Baudrillard jonathan franzen Jonathan Lethem Justin Timberlake Lacanian Real McDonald's Media Metafiction Narrative politics postmodernism Pulp Fiction Racism Richard Kelly Simulacra Simulation Slavoj Zizek Southland Tales Super Bowl Television The Killers The Submission Walker Percy Walter Benjamin Welcome to the Desert of the Real! White Noise
Author Archives: rdwrer16
The national afterlife
On page 295, Claire says, “[Memorials are] our nation’s afterlife.” I think this line has something to do with the role or idea of memorials in society, their purpose. Memorial comes from Latin, and has the obvious connection to “memory.” Kahn’s … Continue reading
Posted in Uncategorized
Tagged 9/11, 9/11 Memorial, Amy Waldman, Memorial, The Submission
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Everybody’s an actor/viewer/consumer/product
Wallace’s “Fictional Futures” deals with the Contemporary Young Writers in their culture and vs. the older generation. Some of the things he wrote made me think of Southland Tales though, basically through the medium of TV, its ubiquity in the … Continue reading
Posted in Reading Response
Tagged "Fictional Futures", David Foster Wallace, Richard Kelly, Southland Tales, Television
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the final German lesson in White Noise
“I went to one last lesson. The walls and windows were obscured by accumulated objects, which seemed now to be edging toward the middle of the room. The bland-faced man before me closed his eyes and spoke, reciting useful tourist … Continue reading
avoidance of the “now”
“Why Bother?” and “Postmodernism as Liberty Vance” seemed to be working towards the same goal of defining some aspect of the novel within contemporary times. The way both essays were written describes the styles available to a writer then. Franzen’s … Continue reading